Hirasawa Yui is no Mizunashi Akari, but her love song to Azusa is most certainly an aria.

My relationship with K-ON! has been a complicated one.

It’s been an interesting ride since my initial derision of the 4koma-inspired iyashikei series about foetal high school girls eating cake and occasionally picking up instruments, but it has ultimately been a rewarding one.

Aquamarine tears returned as the girls graduated.

There are so many gripping moments in the final episode of K-ON! that it would be impossible to list them all. But there are definitely words that will stay with me for a long time, Sawako’s “how could I possibly erase this” being foremost among them.

Is K-ON! a favorite? Yes.

Is it in the top 10? I don’t know. I did away with rankings when Aria the Origination ended.

But Yui and Nodoka exchanging their secret handshake, Azusa turning to follow her bandmates with her eyes and running into a wall, Sawako’s fretting during the ceremony, a failed game of telephone, Yui’s relaxing metaphors… who would have thought that ultimately Yui would prove the best rhetor of Houkago Tea Time?

It’s the stuff of beauty.

It’s “wonderful”—and that’s what’s so wonderful about it.

Tomorrow morning, Azusa will wake up, greet President Ton-chan, and head downstairs to lift the storefront blinds. But it isn’t time for “her” keionbu, it isn’t time for “her” Aqua. Because she, unlike Akari, is not alone.

The rest of HTT will be with her forever.

“We’ll be forever friends.”

Another mythic line to add to the collection.

P.S.

The world is wonderful in the eyes of wonderful people. – Alicia Florence

10. YFR, noun.
ex. Kyoushiro to Towa no Sora never delivered the hot YFR.

9. YRF, noun.
ex. When there’s YFR, you know someone’s got their hands on one of those YRFs.

8. graphs, sign of superiority.
ex. I’m as awesome as the Japanese because I put graphs in my posts.

7. loliyuri ice cream, cake.
ex. Loliyuri ice cream is moist and delicious.

6. friendship, noun.
ex. Jason and I share a healthy friendship.

**I move away from the vocab lessons to share some some interesting numbers

5. Baka-Raptor, dinosaur.
ex. Dinosaurian Baka-Raptor is dinosaurian.

4. beanbrew, jason.
def. see here
ex. Fucking beanbrew. (Gee whiz, lolikit, you’re laying the references on thick!)

3. jasonism, noun.
def. a unit of culture pushed by a single person onto a willing crowd of zombie-esque followers
ex. I am currently studying for my Internet Ph.D. in jasonisms.

2. no more, dream.
ex. What everyone wanted was no more raping at the hands of AT&T, but that was just a dream, just a dream.

1. I’m going to go vote tomorrow, promise.
ex. see below

This is my “I’m going to go vote tomorrow” face. Look forward to my typhoon of patriotism!

Majime na Lolikit
How Aria Ruined Subtext, or Why Yuri Isn’t Funny Anymore

In early 2005, I finished watching AIR. At the time, I was active on the AnimeSuki.com forums (handle: Broken), and was active in discussing the episodes as they were aired and fansubbed. In the AIR episode 12 thread, someone linked to lovelykitsune.com‘s special feature. LK had written Misuzu’s final diary entry for her. I laughed my ass off and proceeded to read through the rest of his archives. I gobbled up his Maria-sama ga Miteru reviews like candy. It was, as he himself put it, a writer’s gold mine.

Amazed at how humorous this Maria-sama show appeared to be, I downloaded it (along with Negima and Kanon, some of the first anime I consumed after my introduction to the medium via Naruto) and watched it.

I laughed at the subtext and the ridiculous premise (it’s a lesbian Catholic school lolol) but the show simply wasn’t as funny as Lovely Kitsune had portrayed it. Saddened, I groped for a new angle from which to enjoy it, and eventually I found it: I could amuse myself by looking too far into possible subtext and then laughing at how gay everyone was (it’s a lesbian Catholic school lolol). It wasn’t that I was homophobic (those were turbulent times, and I was seriously considering the possibility that I myself was gay—actually, I still don’t have an answer O_o), but the overabundance of this otherness was more than enough to make me chuckle.

After reading Pretty Face (“Become my onee-sama #2!”) and watching such blockbusters as Mai-HiME (ShizNat) and Kannazuki no Miko (best confession scene ever), I found that I liked this ‘shoujo ai’ business quite a bit. They were so cute, and in a lot of cases they were facing adversity in order to stay true to themselves and their hearts.

A lot of the lulz went away, but the yuri goggles remained.

(What am I talking about? The lulz was as strong as ever. I lurked the shoujoai.com forums for a while and witnessed the first ever declaration of YFR—the hilarious forum interchange that led to me creating kyousora.com and infecting the minds of several other anibloggers.)

Eventually I came upon Strawberry Panic. It made me laugh at the yuri because it was laughable. I blame this entirely upon premise and script. Oh, and the over-dramatization of everything. Around the same time, I was just a fledgling aniblogger. I discovered danbooru. I discovered various other things… like Shoujo Sect… long and short of it is that I came to this revelation: yuri is hot!!

Subtext became even more awesome as I tread into the world of AWESOME Nanoha.

Desires were fulfilled as Kyoushiro to Towa no Sora ended.

And after some time, I saw Aria.

You say good things sometimes, Alice!

Aria’s an odd cookie. Almost entirely female cast, lots of deep caring and emotion, and yet not once—not once did I find a hint of girls’ love, subtextual or otherwise. I found sisterly doting, I found friendship, I found admiration.

Please direct your attention, for a moment, toward this post of Erica Friedman’s: Yuri Anime: Aria OAV Arietta (Thanks to icystorm over at Miminum Tempo for the heads’ up.)

I’ve never been a huge fan of Friedman’s. I know she’s done some great work, etc., but one day I stumbled across some Noir review of hers and it made me cringe. Noir wasn’t yuri as far as I could tell. I recall thinking to myself—is friendship such an impossible thing?

This is, for the record, the same reaction several of my classmates had in Bible as Literature when my teacher presented unto them the theory that David and Jonathan were “romantic friends.” So maybe I just had a preconception of Noir since I’d seen it before and might find the romance between Kirika and Mireille if I were to go into the show with Friedman’s review in mind… but there’s still a distinction, I feel, even between:

- romantic friendship

and

- sexuality

I can’t really imagine David and Jonathan going for that hawt hawt butthsekcz. They definitely did seem like more than (contemporary definition of) friends to me, though. The characters in Noir share an incredibly powerful bond; does that mean that they are a yuri couple? I don’t recall any indications that the two of them felt ANY attraction toward each other, physical or mental or otherwise. I was under the impression that they were brought together by the past, or fate, or something dumb like that, and that perhaps the “odd bedfellows” saying applies.

But a yuri couple?

And I say that same thing to Aria, only a million times over.

Creating something, together—possibly the height of human existence.

When I first watched Aria episode two or whichever, the one where Akari sleeps over in Aika’s room, I probably thought something like, “oooo yuri action oh yeah.” I guarantee that by the time I finished season one, such vulgar thoughts had been completely dispelled. When I say vulgar, I am not incriminating yuri—I am incriminating subtext. Sure, it’s there, and I’m sure people can find it (after all, Erica Friedman did!), but what does it add, other than cheap giggles? If it’s not solid, if it’s not canon, it’s only speculation.

Speculation is something that you get fans to do when you try to entice them with fluff (see: Suzumiya Haruhi no Yuuutsu). Did Kozue Amano want use to try to figure out which of the Aria girls were getting off on which others’ fingers? For some reason, I doubt it. Did Mag Garden? Please. It’s there, but only if you’ve trained yourself to find it anywhere can you find it in Aria. Subtext can literally be found in everything if you’re well enough trained.

It’s like over-analyzing things.

I’m not trying to be a deconstructionist, I’m just trying to rationalize—what benefit does Aria gain from lesbianism? I found it quite reassuringly non-retarded that the work just about never touched on sexuality (we know Akatsuki is crushing on Akari and that Aika and Harry Potter get together, but even that doesn’t tell us that much) because, from my point of view, sexuality is a fairly boring topic (though this does not mean that I intentionally ignore it). It’s much more interesting for me to focus on the scenery or the messages or the character drama than the possibilities of who’s attracted to whom. Yes, believe it or not, you can have character drama without romance! Alicia and Akari’s tearful hug in Origination 13 was not the culmination of their lust and sexual tension.

gomenasi, for everything gomenasai

Before you say “but it could be!” let me point you to a very similar scene, both in direction and character action: AIR episode 6; Tohno Minagi returns to her mother’s home and the two share a tearful embrace.

The writer(s) behind AIR had serious mom issues, methinks—there’s a bit of a trend here.

(I refuse to believe that Minagi was hot for her mom. If you think that this is a bad comparison becaue she was hot for her mom, please explain to me why and how she is hot for her mom.)

And because there is nothing explicitly stated in Aria, and because I see no sexuality implied in it, I don’t find any lesbians. Whether the characters ARE gay, or straight, or bi, or what have you, is a pointless question: none of the characters are in yuri relationships. You can spend a lifetime speculating about sexuality if you have no solid cues.

The idea of Aria porn makes me uneasy.

The show is too pure for that. Too innocent. Too much about living a certain way. Not at all about whom to do or why.

Similarly, the idea of pairing Aria characters and doing anything in the vein of fanporn unsettles me, be it fanfic or fanart or so much as discussing one’s support for a coupling. Much as Neo-Venezia is a world beyond disease and homicide, it is a world beyond sex. Such thoughts simply don’t exist in Aria. There was never anything about dating or societal pressures to fulfill gender roles and get into certain relationships or making babies or not making babies or defying a conservative society or taking advantage of a liberal one. None of these topics are touched upon, thus furthering the detachment from sexuality.

And with all the unbridled potential for yuri (a full cast of females at the extremes of hot or cute in terms of both appearance and personality), combined with this total absence of sexuality, I have completely lost my drive to examine subtext or find lesbians in anime.

I don’t see the point anymore.

Why seek cheap laughs or pursue fetishes when something so perfect, so pure, so devoid of questions exists? Aria is the end-all be-all of my anime experience, and it has vanquished my love for yuri. It has vanquished my love for giggling childishly at possibilities.

Aria killed subtext.

And one last note, in case any staunch Aria yuri fans are reading this:

If Akari and Alicia were in a lesbian relationship, would Alicia have left to go get married to some other person? Alicia is mature. She doesn’t need to graduate schoolgirl lesbianism.