we're finally notdotq anymore

BECK (14) – I began watching this because Shirukii rated it a 10/10. I figured his tastes had to be alright—after all, he rated AIR 10/10. That’s a man I can respect. So, I grabbed this show off my brother’s computer and have been watching it maybe 3, 4 episodes a night for a couple days. It’s pretty fun. I’m not sure if it’s excellent, and it frustrates me with the bullying (something I simply can’t stand for some reason), but it’s fun. I find the OP to be rocking and the amount of engrish kind of lawlworthy. Watching the show with French subs has so far been an incredibly interesting experience, actually. For one thing, I’m learning lots of French slang I didn’t know (in particular, slang) and my association between Japanese and French is only becoming stronger. When I try to remember certain lines characters just said in Japanese, I think of them in French. This may be a good thing, it may be a bad thing. Either way, it’s damn interesting.

Bleach (115) – I restarted the show at episode 110, where filler left off. I’m not a huge fan of the show (and have been known to rant against it) but I’m enjoying this “part two” of sorts. The daddies are kickass and Ichigo’s an emo bitch. Too bad Renji just showed up… I can’t wait for them to start yelling at eachother like two retarded morons.

Death Note (17) – this series is that with the best pacing of all time. Each episode amazes me. Now, excuse me whilst I browse Danbooru with my right hand, write Kyousora content with my left hand, and—MASTURBATE TO PICTURES OF SAYU.

Fruits Basket (14) – this show shouldn’t really be tagged “watching” seeing as it’s closer to my “on hold” category. I don’t have a lot to say at the moment since it’s been a loooong time since I watched episode 14. I guess… I’m watching the series with my brothers, one of whom moved away recently, and am waiting for that one to come back before watching more. By the way, girls with issues and girly guys with issues = winning description.

Kanon 2006 (20) – I went into this having seen Toei’s Kanon. I went into this with the knowledge that Kanon’s “plot,” being the trend-setter for a generation of crappy anime, is, well, for lack of better words, shitty. I went into this with the knowledge that Kyoto Animation is win, and that’s what kept me going for the first bit. Yuuichi suddenly became funny, and the show became tolerable. Counting “uguu~”s also became a favorite pastime. The animation quality exceeded my expectations and I found myself watching episodes three, four times a piece. I’ve converted all of l33t-raws’ 1024-pixel-wide HQ releases to the highest quality h264 for my ipod. I realize the truth: the magic that is beauty has taken hold of me, as it did with AIR. Of course, I prefer Summer to Snow, and this show’s OST can’t compete with Natsukage, but the facts are as they are. I’ve begun to like Kanon.

Kyou no Go no Ni (3) – Weird that this is in “watching” seeing as there have been three episodes in the last 12 months. It’s not exactly the most time-intensive anime I’m following. I need to write a post about episode 3, which was amazingly disgusting. By that I mean the loli fanservice I expect of this OVA series was present in abundance.

Kyoushito to Towa no Sora (6) – Well, you all know what I think about this one, yes?

Maria-sama ga Miteru OVAs (2) – god that second one was pure win. It’s the best anime can get; it’s the “AAAAAAAAAARGH~! THEY TOOK MY DICK!!” of animation. I can’t get over the beauty of the comedy, both intentional and unintentional. Yumi going Suzumiya Haruhi, the people around her preparing to rape her, “that’s profoundly scary, Onee-sama,” and the face-touching porn. Maria-sama ga Miteru is love.

Suzumiya HaYumi
Gonna get Raped
Onee-sama, I… came…
“That’s scary, Onee-sama.”

Naruto Shippuden (2) – a rocking start to the second half. I have to say I was quite impressed with this double episode. Of course, it’s to be expected of the show with one of the best first episodes ever. Even Konohamaru was bearable all of a sudden. The comedy, while recycled, was refreshing, and the production quality was omfgwtfnowai high compared to during filler. Overall, I’m extremely pleased. Only qualm? Kyuubi looks like a motherfucking totoro.

Nana (35) – this show never ceases to amaze me. At least it hasn’t ever since it switched to Osaki’s (is that her name? I just think of her as Nana…) perspective. The “am I weird?” thing and “not knowing what a real friend is” or how to act around them… I guess there’s something to her mindset that rings familiar with me, and watching this show has become a sick thrill. It’s good. It’s really good.